udder shoes, 2000
cast urethane, wood shelf
The feminine delicacy of the shoes is brought into question by the fingerlike extensions attached to the bottom of the shoes - reminiscent of insect legs or a cow’s udder. The hybrid gesture suggests movement of a tenuous nature and implies both humour and tragedy.
Exhibition History
2014 relay. Rodman Hall Art Centre,Rodman Hall Art Centre, Brock University, St. Catharines, Ontario. Curated by Marcie Bronson.
2004 HEADspace. Holt Renfrew, Toronto, Ontario. Curated by Eileen Sommerman.
2000 The Fashion Statement. Art Mûr, Montréal, Québec.
1998 camouflage 1. Red Head Gallery, Toronto, Ontario.